
Visitor Ratings: He used to tell his story to every stranger that arrived at Mr. Doolittle's hotel. He was observed, at first, to vary on some points every time he told it, which was, doubtless, owing to his having so recently awaked. It at last settled down precisely to the tale I have related, and not a man, woman, or child in the neighborhood but knew it by heart. Some always pretended to doubt the reality of it, and insisted that Rip had been out of his head, and that this was one point on which he always remained flighty. The old Dutch inhabitants, however, almost universally gave it full credit. Even to this day they never hear a thunder-storm of a summer afternoon about the Kaatskill, but they say Hendrick Hudson and his crew are at their game of ninepins; and it is a common wish of all henpecked husbands in the neighborhood, when life hangs heavy on their hands, that they might have a quieting draught out of Rip Van Winkle's flagon. IV. THE GOLD-BUG (1843) BY EDGAR ALLAN POE (1809-1849) Setting. Sullivan's Island is at the entrance of Charleston harbor, just east of Charleston, South Carolina. It is the site of Fort Moultrie, where Poe served as a private soldier in Battery H of the First Artillery, United States Army, from November, 1827, to November, 1828. The atmosphere of the place in Poe's time is well preserved, but no such beetle as the gold-bug has been discovered. Poe may have found a hint for his story in the wreck of the old brigantine Cid Campeador off the coast of South Carolina in 1745, the affidavits of the burying of the treasure being still preserved in the Probate Court Records of Charleston. Plot. "The Gold-Bug" is recognized as one of the world's greatest short stories and marks a distinct advance in short-story structure. The plot is divided into two parts, which we may call mystery and solution, or complication and explication, or rise and fall. The second part begins with the short paragraph on page 91, beginning "When, at length, we had concluded our examination," etc. Notice how skillfully the interest is preserved and even heightened as the plot passes from the romantic action of part one to the subtle exposition of part two. These two parts may be said to represent the two sides of Poe's genius, the imaginative or poetical, and the intellectual or scientific. The treasure-trove is the symbol of the first, the cryptogram of the second. Stories had been written about buried treasures and about cryptograms before 1843, but the two interests had never before been combined. Poe's example, however, has borne abundant fruit. Characters. Poe's strength did not lie in the creation of character. He is so intent on the development of the windings and unwindings of his story that the characters become mere puppets, originated and controlled by the needs of the plot. Jupiter deserves mention as one of the earliest attempts made by an American short-story writer to portray negro character. But Jupiter has been so far surpassed in breadth and reality by Joel Chandler Harris, Thomas Nelson Page, and a score of others as to be almost negligible in the count.
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